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I figure if one is reading this they already know the film and are questioning whether to capture this upgraded version or not – I would have to say a resounding yes.
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Knowing how he filmed this and with what equipment I had very high expectations on clarity. I tested this thoroughly by halt checking over 50 different scenes and light levels (dusky, sad, intellectual, motion, radiant detail, etc.) and I could not collect fault in anything; The running water scenes, entertaining pans through trees – all of it. The colors, contrasts and light level all came across beautifully. The smaller LCD panels looked unbelievable, but I even scrutinized on the larger Plasmas and it smooth looked awesome. The sound has the TrueHD and English 5.1, and the mix maintains being able to crank up the volume above normal listening levels as to immerse in the sounds/music but tranquil hear the dialogue adequately.
This is the 172 slight version with the 10 piece documentary series from the other releases included. I am very overjoyed with this preservation so I hope that those who like his work will be pleased this package.
MOVIE: Terrence Malick is not a mainstream director, his films while few in number, are incredibly rich with detail and visual language. Only a very few people can savor one of his films, mostly because they tend to race longer than mainstream movies and they don’t follow the dilapidated formula. If you’ve seen The Thin Red Line then you know what a Terrence Malick film is. The Thin Red Line is in my concept one of the finest cinematic accomplishmensts in the war genre. The Unique World is basically Malick’s counterpart to The Thin Red Line. While The Thin Red Line was a sight into the shadowy nature of mankind and how we extinguish ourselves, The Unique World is the opposite of that. This film is about the celebration of the human spirit and the wonder of life. It is a truly poetic film that uses the account of John Smith and Pocahontas to snort this commentary. The Current World focuses on the clash of differences between two civilizations and how in the mess of differences two people are able to connect and discover the beauty of each other. The movie moves stupid though, and there are some parts where I found the editing to be a dinky confusing. Otherwise, I mediate the film is an astonishing emotional go filled with poetry and knowing cinematic images. This film and The Thin Red Line are very similar in style. Malick even uses the same motif with birds as he does in The Thin Red Line. You also have the poetic narration of the main characters, and the narration itself can stand alone as poetry, it is truly worthy. Lovely landcapes captured brilliantly with the camera, long tracking shots, and many wide shots enhance the surrounding for the audience. He also uses his “sun through the trees” shot multiple times, which I personally loved in The Thin Red Line and even mature it a couple times in my projects. All the shots are accompanied by James Horner’s acceptable yet somewhat flawed bag. In my idea I conception the procure sounded exactly like his work on The Perfect Storm. I was devestated when Hans Zimmer was mild from the project due to scheduling problems, because it was with The Thin Red Line that Zimmer detached his masterpiece. Horner does a righteous job in my understanding, but at times I felt like it was all too similar and sometimes lacking. The characters are all wonderfully expressed as well, and the change that Pocahontas goes through basically defines the film’s central theme of change in surrounding while detached retaining your individual personality. This film celebrates humanity and is his counterpart to The Thin Red Line, which basically shows the flaws of humanity. Gaze both film if you have not already, and if you are original to Terrence Malick please have an launch mind. This man is a fabulous filmmaker, I wish he wasn’t so elusive and would actually do interviews as well do maybe more than 1 movie every decade. Then again, the fact that he has only directed 5 movies in his career since 1969 maybe is his greatest strength, and puts him on the list of top directors in the industry.
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ACTING: The film is almost absent of any structural dialogue. Dialogue between characters is rare and brief yet oh so meaningful, and then there is the poetic narration. The actors do a elegant job with facial expressions and evoking the good emotions. Colin Farrell is tall and plays a character who is in like with Pocahontas and embraces her world. Christian Bale does a fabulous job as the man who falls in worship with Pocahontas yet tries to execute fragment of English society. Then we have newcomer Q’Orianka Kilcher who plays Pocahontas, and does an improbable job with the role. The acting is all emotion and hardly any dialogue.
BOTTOM LINE: I talked to my parents after I saw the film, they said that people walked out of the movie at the showing they saw, which didn’t suprise me at all. I was blissful that no one walked out of the showing I went to. The Thin Red Line got the same response by movie goers that this one is getting. They creep in expecting an intense action drama and raze up at a poetry reading, but you can blame decieving marketing for that. Like I said, Terrence Malick isn’t for everyone, but if you perceive it with an begin mind you will experience a truly extraordinary and meaningful film.
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Mike Terrell